Sunday Morning: Pärt and Soul ” “Breathing in and out, crying tears of sorrow and tears of joy,..”

Heart-aching, exquisite beauty in every single note

Live & Learn


Stuart Isacoff in wsj.com titled Pärt and Soul:

“You may not know the name, but you’ve heard his music. Estonian composer Arvo Pärt’s alluring, hypnotic “tintinnabuli” (“bell-like”) style has resonated with listeners world-wide—the database Bachtrack reports that Mr. Pärt is now the most performed living classical composer. The haunting music in the trailer for the film “Gravity”—a perfect complement to the image of astronauts adrift, its piano pattern suggesting a cosmic clock as floating violin tones and spacious pauses convey a sense of human frailty—is his 1978 work, “Spiegel Im Spiegel” (Mirror in the Mirror).

…”The thing that struck me when I first heard this music at age 18,” remembers Mr. Reeves, “is that I should not be sitting—I should be standing. I cried. It’s not like a Beethoven sonata, where you are on a journey, watching how a theme develops. With Pärt, it is the opposite—you are emptying everything…

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About Makere

A transplanted New Zealand Scots/Maori academic/grandmother/random singer and sometime activist, my life is shaped by a deep conviction of the necessity for active critical engagement in the multi-faceted global and local crises of being and survival of species that confront us in the 21st century, the urgency of re-visioning the meaning of thriving together, and the contribution of Indigenous knowledge systems to a truly sustainable and just global society.
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